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Hesse remained in the bookselling business until 1904, when he became a free-lance writer and brought out his first novel, Peter Camenzind, about a failed and dissipated writer. The inward and outward search of the artist is further explored in Gertrud (1910) and Rosshalde (1914). A visit to India in these years was later reflected in Siddhartha (1922), a lyric novel based on the early life of Buddha. During World War I, Hesse lived in neutral Switzerland, wrote denunciations of militarism and nationalism, and edited a journal for German war prisoners and internees. He became a permanent resident of Switzerland in 1919 and a citizen in 1923, settling in Montagnola. A deepening sense of personal crisis led Hesse to psychoanalysis with J.B. Lang, a disciple of Carl Gustav Jung. The influence of analysis appears in Demian (1919), an examination of the achievement of self-awareness by a troubled adolescent. This novel had a pervasive effect on a troubled Germany and made its author famous. Hesse's later work shows his interest in Jungian concepts of introversion and extroversion, the collective unconscious, idealism, and symbols. The duality of man's nature preoccupied Hesse throughout the rest of his career. Der Steppenwolf (1927; Steppenwolf) describes the conflict between bourgeois acceptance and spiritual self-realization in a middle-aged man. In Narziss und Goldmund (1930; Narcissus and Goldmund), an intellectual ascetic who is content with established religious faith is contrasted with an artistic sensualist pursuing his own form of salvation. In his last and longest novel, Das Glasperlenspiel (1943; English titles The Glass Bead Game, or Magister Ludi), Hesse again explores the dualism of the contemplative and the active life, this time through the figure of a supremely gifted intellectual.
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